Arts & Entertainment:
Retrospective: BBC’s ‘A Ghost Story For Christmas’
Britain’s adoption of Halloween as a season for all things ghoulish is a relatively recent phenomena, gathering momentum by minute gradations, but still is somewhat fleeting compared to the glorious renditions accorded to that season by our friends in the U. S. of A. This has little to do with any discontent at larkish shenanigans generally, nor prudishness at a festival so rooted in things Pagan, naught a scintilla with disinterest in all things macabrely malignant. It has simply to do with the fact that for Brits, Christmas – with its long, dark nights – has long been established as the time for fear and it’s been that way multos annos. In terms of what we would today consider popular culture, the man most directly responsible for this unlikely paradigm is a chap known in his own lifetime, affectionately, as ‘Boz’. Mr. Charles Dickens, like many a Victorian, was obsessed with the supernatural. As editor of ‘All the Year Round’, one of Victoriana’s most popular ’zines, he published not only his own unheimlich offerings, but a plethora of others by some of the best in the genre. The most important of these, by far, was Joseph Sheridan Le Fanu. But the techniques Le Fanu pioneered – the slow escalation of narrative, the meticulous use of suggestion, the excessive under-statement, the well-used psychological underpinnings, the almost obsessive use of folklore would prove far less important in his own lifetime than they were to become to his most renowned protégé – M.R. James, who always placed Le Fanu “absolutely in the first rank as a writer of ghost stories”. Read full story from brutalashell.com
